Norwegian Folktales (Pantheon Fairy Tale and Folklore Library) | 
|  | | | Title: | Norwegian Folktales (Pantheon Fairy Tale and Folklore Library) | | Author: | Peter Christen Asbjornsen
Jorgen Moe | | Publisher: | Pantheon | | Type: | Book / Paperback | | Publication Date: | 12 August, 1982 | | ISBN / ISBN-13: | 0394710541 / 9780394710549 | | List Price: | $14.95 | | You Save: | $4.78 | | Amazon Price: | $10.17 | |
 This book is also available, brand-new, from 3rd-party marketplace sellers at Amazon.com, from $7.99. |
The HTML code below can be pasted onto your web-site, your MySpace page, or blog - or any number of similar places - to create a link to this page: If, instead of a text link, you'd like to create a link to this page which will display the book cover, if it's available, then the code below will do exactly that:
Check for the same book at these other US book sites:
• [ Abebooks ] • [ Alibris ] • [ Barnes & Noble ] • [ Half.com ] • [ Powells ] … or check UK bookstores
| Editorial Review / Publisher's Information:
Product Description
Collected here in a contemporary translation. With these tales we meet witches, trolls and ogres, sly foxes and mysterious bears, beautiful princesses and country lads turned heroes. Includes illustrations.
| Other Items You May Enjoy:
Browse Books From These Related Subjects:
Customer Reviews:
• Wonderful-beyond-words Collection Of Stories For Any Age, Plus Enchanting Illustrations 23 November, 2008
There are not enough good words to describe this marvellous book! The Norwegian tales are unsurpassed in everything from folk humour to literary value. The plots are very diverse, always surprising, with very skillfully depicted characters, the stories flow easily, as from the pen of a master writer. The drawings accompanying this particular collection are simply enchanting, so simple, yet so telling. Do buy this book and you'll be glad to have discovered a jewel of the world folklore.
- Reviewed by customer ID: A1F69I6IPXYAQU
• Norwegian Folktales 07 November, 2006
The Pantheon Fairy Tale and Folklore Library is usually excellent, and this book is no exception. It is well worth the money and is a good read. Interestingly, one of the illustrators also provided illustrations for Snorre Sturlasons Heimskringla or The Lives of the Norse Kings. New York: Dover Publications, Inc., 1990.
- Reviewed by customer ID: ANXC4P5V342N2
• Glorious, Ethnographically Utile Chrestomathy 27 June, 2007
Clearly, the Norwegian peasants enjoyed quite the literary gift. The folktales in this collection are surprising for their sophistication of plot, strong commonalities among the individual tales notwithstanding. (The Trinitarian influence, especially, is blatantly evident: the hero must obtain three magical charms, steal three items from the trolls castle, rescue three princesses, or walk through three castles [of brass, silver, and gold--but, of course!] before proceeding. [By the way, in Native American--particularly Western--myth, it's _four_ that's the magic number.]) One also descries considerable pagan Norse influence: giant eagles (= Hræsvelg), tree-dwelling serpents (= Niðhöggr, if you will, vice Satan-in-the-Garden), and the tortured, bifurcate identification of lightning now with Þórr Óðinsson, now with St. Michael. It's interesting--given that many of these tales cannot date back far beyond the sixteenth century (because of otherwise resultant anachronisms, e.g., muskets and post-medieval kitchen technologies)--that the tenth-century Uppsålan tension of Christian versus pagan Viking is still strongly evident between the lines (even if Nornagest per se does not people any of the tales!).
Believing strongly in the Årne-Thomasson taxonomy of fictive archetypes, one detects considerable similarity among some of the tales with the Swedish tradition (not surprising), the German tradition (also not surprising--just across the gulf), and the Russian tradition (a bit more surprising, given both Russia's geographic isolation and, indeed, its cultural isolation until the entrenchment of the legacy of Peter I in the early to middle 1700s). Personally, it gives me a chuckle to be able to ferret out such common "skeleta," as it were, of various tales, whereby one can select a common middle and slap on, e.g., a Norwegian beginning and a Norwegian ending.
One thing I don't understand is the considerably wider array of supernatural characters in the Swedish than in the Norwegian corpus. Given especially that Norway is rather more rural than its eastern neighbor (witness its one-half the Swedish population in nearly the same land area), I cannot fathom why the Norwegian tales offer only trolls and the occasional manlike giant while the Swedish counterparts also offer elves, markedly non-manlike giants, witches, water spirits (call them nixies, Irish kelpies--even Japanese kappa, if you wish!), and--for that matter--zombies! But I digress. The collection is terrific, the plots are satisfyingly complex (for folktales, at any rate), the symbolism is clever, and the earthy, realistic tone is very, very satisfying as well as convincing that the folk literature actually matches the folk!
- Reviewed by customer ID: A30YM91ARQDGN7
• One For The Desert Island Library 08 February, 2001
I'm a middle-aged English professor, but I love this book now, as I did when I was a kid. If I had to whittle my personal library down from its present size (maybe 3000?) to a hundred books, I'm sure I'd still keep this one. I read these stories now to my children and remember how I loved the stories when I was their age. When I'm a senior, I'll remember how I shared this book with my kids, as well.
- Reviewed by customer ID: A2AC2WCT3ZMUW0
• Norway's Greatest Treasure... 28 June, 2008
...alongside the fjords, is its literary tradition, beginning with the Viking romances and sagas, at full flood in the works of Ibsen, but flowing like an underground river through its grotesque folk tales - eventyr - as collected by Peter Christen Asbjørnsen and the Møes father and son. Asbjørnsen began collecting tales in 1834, in isolated rural areas of Norway, a country whose geography has guaranteed isolation through most of history. The publication of the Grimm Brothers' collection of folk tales sparked further enthusiasm amongst Norwegians, but the 'eventyr' are different in many ways from the traditions rescued by the Grimms, and radically different from the literary fairy tales that soon infiltrated Europe and consigned folk tales in general to the realm of children's literature.
Readers familiar with the Icelandic sagas will find many similarities in these hard-minded and hard-handed stories of peasant kings, eerie maidens, and of course trolls, with their peculiar shrewd stupidity. The pleasure of hearing/reading most of the eventyr is in the sardonic humor, the joy of seeing the come-uppance of the rich and powerful. It's interesting to note that stories collected from men are chiefly rough and humorous, and naturalistic, while those collected from women, as translator Pat Shaw reports, "kept to deep, mystic, or eerie themes."
The original illustrations by Erik Werenskiold and Theodor Kittelsen are reproduced in this collection. Black-and-white pen sketches and etchings, they match the eventyr in wry humor and spooky trollishness. I remember them well from my own childhood, when my grandmothers held me on their laps and read to me in Swedish. These are indeed wonderful, memorable stories to read to children, but they shouldn't be limited to laps, not even the laps of Lapps. Adults will enjoy them equally. Most of them are quite short, especially compared with the wordy Grimm tales, and can be relished a few at a time.
I've reviewed three Norwegian items in the past week - music by Harald Saeverud and novels by Borgen and Christensen. You may wonder why a good Swedish fellow like me would be reviewing works by Norskis. Well now, I'm just trying to show that I'm comfortable with diversity.
- Reviewed by customer ID: A2PR6NXG0PA3KY
|
