The Great American Pin-Up | 
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Product Description
This illustrated text tells the story of the American pin-up as a genre as utterly American as the paintings of Edward Hopper. It describes the genre's origins and development, showcasing the most important artists.
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Customer Reviews:
• Swell Book But With A Caveat Or Two 09 April, 2008
Like most Taschen art books, this is a high quality publication, nicely printed and bound. There is a good deal of information and many paintings for the top artists (Elvgren, Petty, etc) and short bios and paintings for dozens more. The paintings are why you'd buy it of course, and the reproductions are excellent. Often the editors did not have originals to work from but that seldom shows. A very few of the larger prints of what must be reproductions are a bit blurry, but not many. However, I personally would have preferred fewer examples so that more of the paintings could be full page. Lots are, but in more cases the reproductions are quarter page and sometimes nine to a page. They are still very good due to the quality reproduction, but lose much of their impact. And impact, after all, is what pin-up art was all about. Still, there's something to be said for quantity too, and this 447-page book has hundreds of fine paintings. Two other quibbles. This hardback has a printed cover, rather than a paper cover, which to me makes it less classy as a display book. I know, I know, it's a pin-up book, but still. Also, like many art books, all the descriptions (the words) are in English, German and French. No complaint, but it's worth knowing in advance that many pages are dedicated to this duplication. That said, if the subject interests you, this is a must have, just like another of the authors' pin-up books for Taschen, Gil Elvgren: All His Glamorous American Pin-Ups (Taschen 25th Anniversary Special Editions).
- Reviewed by customer ID: A3JPXAHV9NAAPJ
• Worth A 2nd Look 07 March, 2008
If you like this genre of art, this is a good reference with a wide spectrum of artists and good quality pictures. Nothing obscene, but a bit of titillating work consistent with the style. Good background summaries. Not an all inclusive or exhaustive reference by any means. If you want a lot of a specific artist then you need a book on that artist alone as there is too much out there for one book. This one makes a good coffee table book and is good for art/ fashion inspiration.
- Reviewed by customer ID: A30W2NX4O0PY2O
• Loving It 29 January, 2007
I love this huge book. It gave me background on the artists that I wasn't expecting, and discovered new artists that I hadn't seen before. Covers a wide spectrum of styles too. It's my #1 coffee-table book.
- Reviewed by customer ID: A2HQOFKHTWLZK3
• Oop The Great American Pin - Up 18 June, 2007
Taschen's now out-of-print homage to the great artists has been a godsend for sourcing artists and their styles. These lost masterpieces of calendar art have been admired but tossed aside for decades; Leave it to outstanding art book publisher Taschen to assemble a great, great collection in three languages.
A stellar collection of styles, nicely arranged by artist. I'll also recommend Collectors Books' ELVGREN for an in-depth look at the process of creating those timeless images, but for the buck, this is a honey!
- Reviewed by customer ID: ABOTQXNUBA1MM
• In All Their Radiant Glory: American Fantasy Girls Of The 20th Century 20 December, 2007
They adorned American calendars, magazines, and paperbacks: playful on water skis, glamorous in evening gowns, seductive before their bedroom mirrors, each one presented in luscious, candy-coated colors to beguile the sensibilities of the businessman, the mechanic, the G.I., the clerk. They were "Pin-Ups," artists' near-fantasy renderings of femininity designed to catch and hold the attention of the American male. They were also, unfortunately, disposable--disappearing into the trash when the calendar was out of date, the latest magazine edition released, the book cover worn to tatters.
Fortunately, however, Charles G. Martignette and Louis K. Meisel have gathered together a wide array of these paintings and reproduced them in THE GREAT AMERICAN PIN-UP, a collection drawn from Martignette's own personal collection. And from 1920 to 1980, from Vaughan Alden Bass to Ted Withers, this book offers 447 pages crowded with full page, half page, quarter page, and inset reproductions of the best of the best.
The book opens with a series of essays on the subject--essays which are offered in English, French, and German translations and which cover the social trends and historical events that gave rise to the genre. The entries are listed by artist and ordered alphabetically, each artist receiving at least a small note and some, such as the legendary Vargas, considerably more. But this is all extra stuff: then as now, the real attraction is the art itself, and it is all beautifully reproduced in the full brilliance of original color.
Whether the portraits are bathing beauty cheesecake, sultry glamor, or ill-concealed nudity beneath transparent robes, what most marks the classic pin-up is a sense of playful innocence, and that comes shining through in this truly entertaining, colorful, and often beautiful book. If you are looking for a glimpse of the art, here it is--in all it's radiant and sometimes naughty glory. Recommended.
GFT, Amazon Reviewer
- Reviewed by customer ID: ACIBQ6BQ6AWEV
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