Improvisation for the Theater 3E: A Handbook of Teaching and Directing Techniques (Drama and Performance Studies) | 
|  | | | Title: | Improvisation for the Theater 3E: A Handbook of Teaching and Directing Techniques (Drama and Performance Studies) | | Author: | Viola Spolin | | Publisher: | Northwestern University Press | | Type: | Book / Paperback | | Publication Date: | 28 July, 1999 | | ISBN / ISBN-13: | 081014008X / 9780810140080 | | List Price: | $22.95 | | You Save: | $7.34 | | Amazon Price: | $15.61 | |
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Customer Reviews:
• Very Dry, Like A Boring Textbook ... Odd, Stilted Language. 13 June, 2006
There's something strange about the way this book is written ... I can't quite put my finger on it. Maybe it's MEANT to be a TEXTBOOK, but ... it's just strange. It's like, you would think that the subject matter (improvisation) would be associated with a lot of excitement and energy, lots of enthusiasm ... instead, it's just a dry, boring textbook. Very cold and impersonal. The other books I've been reading, including Keith Johnstone's IMPRO, Chalma Halpern's TRUTH IN COMEDY, and Mick Napier's IMPROVISE, are written with enthusiasm and what seems like genuine joy ... the way you'd think a book on improv should be.
Another thing that was odd - one of the co-authors is Paul Sills, who is apparently Viola Spolin's son ... yet in his "Foreward" (or maybe it's the introduction), he refers to her only as "Viola Spolin" this and "Viola Spolin" that ... again it just seemed so impersonal, like he was giving an academic speech before a bunch of old professors. No warmth at all.
And all through the book, Viola Spolin uses the same cold, impersonal language to talk about what should be fun, amusing memories - like, instead of saying "Once in one of my classes there was etc. etc." she'll say "In a class taught by this author, an incident occured at which etc etc" ...
These are minor things, I guess ... maybe I'm asking too much but I guess the bottom line is that, for me, this book (unlike the other books I've mentioned) failed to convey any sense of the thrill and delight that improv is.
- Reviewed by customer ID: A1BZCCDBZ1MU1X
• The Gold Standard ... 15 May, 2007
A good student must always seek a master, and Viola Spolin is a master of improvisational theatre. The book is filled with powerful games and information to support not only improvisational theatre, but truthful acting and being "in the moment", a hallmark not only of improvisational theatre, but acting.
- Reviewed by customer ID: AC05OLIRGOS7P
• Physical Theater 17 December, 2007
Very good, I am from México and can read it and apply it in my teachings. I specialize in physiscal theater and I still can grab allot of exercises from it.
- Reviewed by customer ID: A1VXVN9C4PLGSR
• If You Can Only Buy One Book. 26 March, 2003
In fact any other book you may buy will have most of spolins ideas. If you are guiding any one in an improvisational education. this is the best. It is very important for improvisers to learn about comedic improv through spolins techniques. all other forms of improv is about the joke which lets face it is only funny because you know the performers. but spolin allows you to discover the scene not the joke. and if you are naturally a funny person chances are your scene will be funny. this is not to say that the funniest guy wont have a serious scene .some times when an improv is a true improv you have to let it be what it is whatever it is. great book. great book .fun book. gauranteed to give you guru status if you follow her instruction. after all you will be giving the most wonderful gift to all your students. your students will develope as improvisers the correct way and will be able to work with anyone.
- Reviewed by customer ID: A1GQ51XJ62238T
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